The
Prince's Trust is raising money by asking famous
people to design and paint masks or boxes which will be sold at
auction.
The
following is an excerpt from the Masks 96 brochure.
WE AIM
TO INSPIRE DISADVANTAGED YOUNG PEOPLE ACROSS THE UK TO ACHIEVE THEIR FULL
POTENTIAL. IN 1996 WE WILL HELP AT LEAST 20,000 INDIVIDUALS TO IMPROVE
THIR PERFORMANCE AT SCHOOL, TO ESTABLISH THEIR OWN BUSINESSES, TO SECURE
A JOB OR DEVELOP A SKILL. We will be helping to develop the citizens of
the future and enabling them to make a contribution to the country's future
well-being. Although the great majority of those whom we assist will be
unemployed, homeless or just hold themselves in low esteem, all will have
the potential to achieve something positive for themselves and the community
in which they will live.
NOVEMBER
- DECEMBER 1995 Masks arrive with artists and celebrities . worldwide
courtesy of DHL
FEBRUARY
1996 Masks completed and resumed
SPRING
1996 The Exhibition Catalogue is printed
LATE
SUMMER 1996 National Exhibition, London
AUTUMN
1996 Public Auction by Sotheby's
Autumn
1996 Sealed Bid Auction
CURRENT
PATRONS Brand Papers, DHL, Kodak, LIBERTY, Marks & Spencer, Oce, Rank
Xerox, Sotheby's, Wiggins Teape and 3i Group plc.
Prince's
Trust Events Ltd. is a Registered Company no.2125171 All proeeds from
this event will be donated to The Prince's Trust Registered Charity no.1018177
From the book 'Masks'
CELEBRITY,
TOO, MASKS.
David Reason, a founder member of the Centre for Psychoanalytic Studies
in the Humanities at The University of Kent, opens this section with his
thoughts on the analytical approach to interpreting mask designs. David
was invited to provide individual analysis of a number of masks selected
by him, in most cases without knowledge of the artist's name. His analysis,
therefore, is centred on the individual mask designs rather than the personalities
of those who painted them.
Uri's Mask was one out of twenty that David Reason chose out of five
hundred masks without knowing the identity of the celebrity.
Uri
Geller
Click for a bigger image
of the Box and Mask
Psychic
The face stages a cosmic allegory. In a detailed and intricate design
we are faced as it were - by a progression from difference and aspiration
to that play of dissimilarity and similarity that is the special domain
of mirrors, gods and death. In the region of the mouth, there is drink
and there is fire, perhaps the fire of the Pentecost, bestowing the gift
of tongues. At the nostrils, "God" and "Peace" tag
the inhalation and exhalation of the breath, and via labyrinthine spirals
and golden domed flying saucers, we are led to profiled faces within profiled
faces, each facing each at the crowning chakra of the human head. It seems
that one intent is to allegorize the face, writing there and seeing written
there an understanding which draws on the Western reception of Eastern
religion and the lay understanding of Jungian and Post-Jungian psychology,
and to find a resolution at the highest point in some vision of mirroring
harmony. It is equally striking that the maker of this mask has an urge
to overwhelm its human face with a meticulous and obsessional detail.
Hand in hand with the representation of an aspiration to a tranquil and
accommodating harmony goes a means of representation which comprehensively
devours the surface of the mask and allows nothing to escape its snare
of inclusion.
Uri
Geller is inviting anyone around the world to be involved with The Prince's
Trust fund raising effort. If you feel that you want to help young people
then please send your donations to The Prince's Trust, 18 Park Square
East, London NW1 4LH, England. Tel. 0171 543 1234. Fax 0171 543 1200.